The works focus on a five-minute sequence at the end of the movie when Doc Riedenschneider, the mastermind of a diamond heist, stops at a roadside restaurant and is mesmerized by a teenage girl dancing to music from the jukebox. When the girl’s young companions run out of coins for the jukebox, Doc hands her some nickels and she proceeds to dance for Doc, in a joyous swaying of her hips with a smile on her face. After the music ends, Doc leaves and is captured by two police officers who watched him from outside the diner.
To create these images, Latané slowed down a videotape of the film to make rapid gestural drawings of Doc and the girl. Rather than simply copying the film stills, the artist interpreted the scenes in her sketches to create her own compositions.
In describing these works, Latané states, “These images, to me, are like musical variations from a song or classical theme.” Throughout this series, the artist strove to make drawings and prints, “with both a feeling of dynamism balanced with a classical sense of form and dark and light values.”
Latané received her B.F.A. from the University of Vermont, Burlington, and her M.F.A. from the University of North Carolina at Greensboro. She has had numerous one-person exhibitions, including recent shows at the Flippo Gallery at Randolph-Macon College, Ashland, Virginia, and at Main Art Gallery and Artspace, both in Richmond. Her artwork is in several prestigious permanent collections, including Bank of America in Norfolk, Virginia, and the Virginia Museum of Fine Arts, the Federal Reserve Bank, and SunTrust Bank, all in Richmond.
From “The Asphalt Jungle” was curated by Richard Waller, Executive Director, University of Richmond Museums, in collaboration with the artist