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photograph by Troy Wilkinson
Eugene Louis Lami (French, 1800-1890), Les Courses, n.d., graphite, ink, watercolor and gouache on wove paper, sheet: 7 7/8 x 14 1/16 inches, image: 6 3/4 x 13 1/2 inches, Virginia Museum of Fine Arts, Richmond, Collection of Mr. and Mrs. Paul Mellon © Virginia Museum of Fine Arts.
Exhibition
Mar 03, 2016
throughApr 29, 2016

The French Horse from Géricault to Picasso: Works from the Virginia Museum of Fine Arts

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The French Horse from Géricault to Picasso: Works from the Virginia Museum of Fine Arts is on view March 3 through April 25, 2016, in the Harnett Museum of Art. The horse was omnipresent in nineteenth-century France — not only did humans awake and doze off to the clatter of their hooves in the streets and the sounds of their snortles, whinnies, and neighs, avoid their dung as they walked, and smelled their horse-sweat, but they saw them portrayed in every manner and style by all types of artists. The exhibition explores this subject in detail, with major artworks in painting, sculpture, and on paper by artists including Pablo Picasso, Henri de Toulouse-Lautrec, Edgar Degas, Theodore Géricault, and others, with every major movement in French art from Romanticism to Surrealism represented. Featuring more than forty works, the exhibition draws from the collections of the Virginia Museum of Fine Arts including the Collection of Mr. and Mrs. Paul Mellon.

About the exhibition

The exhibition is the outcome of an innovative course team-taught during the fall semester by Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, VMFA; Jeffrey Allison, Paul Mellon Educator and Manager of VMFA Statewide Programs and Exhibitions; and Richard Waller, Executive Director, University of Richmond Museums; with course assistant Kristie Couser, Curatorial Assistant for the Mellon Collection, VMFA. The students participating in the intercollegiate seminar include: Alisa Ashley Carmichael, ’17, art history and studio art double major, Randolph-Macon College; Samantha Davis, ’16, art history and studio art double major, Randolph-Macon College; Emmett Fleming, ’16, studio art major, Virginia Commonwealth University; Alyssa M. Hughes, ’15, art history and German double major, University of Mary Washington; Jenny Kacani. ’17, art history major, University of Richmond; Dylan Maddox, ’16, art history major, Virginia Commonwealth University; Claire McDonald, ’16, art history and Italian studies double major, University of Richmond; Moriah Webster, ’15, art history major, Randolph-Macon College; and Amy Mei Woo, ’16, art history major, The University of Virginia.

According to Dr. Mitchell Merling of the VMFA, “It was a pure pleasure bringing the art and the students together, and we hope the public takes equal enjoyment in the resulting exhibition, which contains both great works by well-known masters as well as hidden gems by lesser-known but equally able artists, all on this central theme of the horse.”

The exhibition is a collaboration between the University of Richmond Museums and the Virginia Museum of Fine Arts, Richmond. It is partly funded by the Paul Mellon Endowment at the VMFA and is produced by the VMFA Statewide Traveling Exhibition Services. At the University Museums, the exhibition and related programs are made possible in part with funds from the Louis S. Booth Arts Fund.

Programming

Wednesday, March 2, 6 to 8:30 p.m.
6 p.m., Symposium, Camp Concert Hall, Modlin Center for the Arts
“The French Horse from Géricault to Picasso: An Intercollegiate Seminar”
Mitchell Merling, Paul Mellon Curator and Head of the Department of European Art, VMFA; Jeffrey Allison, Paul Mellon Educator and Manager of VMFA Statewide Programs and Exhibitions; Richard Waller, Executive Director, University Museums; and students enrolled in the seminar held during the 2015 fall semester
7:30 to 8:30 p.m., Opening reception and preview of the exhibition
Harnett Museum of Art, University Museums

Sunday, April 10, 2016, 2 to 4 p.m.
Drawing Workshop, Harnett Museum of Art and Westhampton Green
“Drawing the Horse,” featuring Shakota Lena, a 1998 registered Bay Overo Paint, owned by Kym Osterbind, Recruiting Coordinator, Law School Career Development Office, University of Richmond, and workshop led by Ruth Bolduan, artist and Professor of Painting and Drawing, Virginia Commonwealth University School of the Arts, Richmond
Registration required ($10, includes drawing materials, call Heather Campbell, Curator of Museum Programs, 804-287-6324, or email hcampbel@richmond.eduIn conjunction with The French Horse from Gericault to Picasso: Works from the Virginia Museum of Fine Arts, Harnett Museum of Art, University Museums

The French Horse from Géricault to Picasso: An Intercollegiate Seminar

The French Horse from Géricault to Picasso: Works from the Virginia Museum of Fine Arts

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